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This allowed Japan to create science fiction and fantasy dynasties that rival "Star Wars" and "Star Trek", which also allowing the creation of romantic comedies, horror, action, war, and many other types of stories to be animated. This diversity drew many of it's early American fans, who sought out these distinct cartoons from their youth, a trend that continued well into the 1980's with shows such as "Battle of the Planets" or "G-Force" ( Science Ninja Team Gatchaman), " Starblazers" (Space Crusier Yamato), " Voltron" (series: GoLion and Dairugger IX) and " Robotech" (series: Superdimensional Fortress Macross, Southern Cross and Mospeada), among others. These early fans soon found out that their favorite shows were much more adult than their American edits let on and soon discovered the wealth of subject matter available in Japan. However, this usually is shown in extremes, either with some extremely sugary girl's show, causing some to dismiss anime as fluff, or a program that includes extreme sex & violence, causing some people to mistakenly think all anime is pornography. The mistake some people make is to say anime is for everyone. The better way to say it is that anime has something for everyone. So if you yourself are interested in these strange cartoons, tell a person in the know what types of stories you like, and they will probably be able to point you in the right direction. Thanx to Anime News Network and Protoculture Addicts' "Anime: A Guide to Japanese Animation" It's not all piracy though. Further down the seam of what the industry likes to call user-generated content we have a superb piece of animation at five, and the faintly entertaining Just a lil' kip at 12. Now that's what I call breakdancing. And hurrah for indie musician Andy Mckee squeezing in at 20. What are the likely challenges to newspapers from their core competitors for advertising, and how can newspapers exploit their competitors' weaknesses to take a larger advertising share? The World Association of Newspapers will provide answers to these questions at the World Newspaper Advertising Conference & Expo in Rome early next year. The conference, to be held on 24 and 25 February at the Sheraton Roma Hotel, will examine the threats, opportunities and weaknesses presented by the main competitors of newspapers for advertising revenue: - Television. As the paid-for TV model comes under threat from fragmentation and ad-avoidance technologies, how will newspapers benefit and how can they take advantage of these developments to increase advertising share? * The music has come up a few times, and rightly so. The composer for the series is Yoko Kanno, and she has managed to capture several American music styles remarkably well. She apparently spent some time in the States, including New Orleans, and absorbed a lot. Supposedly, she's also part of the inspiration for the character of Radical Edward (the phrase "a little weird, catlike, but a genius at creating music" seems to fit). Anyway, the music is great, and before I even watched the series, I had bought a bunch of soundtracks off ebay (you can get most of the sountrack on the 4 disc set for $20, a bargain). I almost want to check out some of the other series she worked on just to hear the music (apparently she did some work on Ghost in the Shell: SAC, which is on my list somewhere). * Session 23 is one of my favorite episodes in the series. I mentioned this in my last post, but I wanted to talk a little more about it. It's about a religious cult that believes in digitizing the brain (or is it the soul?) and uploading it into the internet. This is a concept that always intrigues me, though it's covered in more depth elsewhere. Arthur C. Clarke, for instance, was fond of the idea that as technology progressed, humanity would eventually create hardware that is more complex and more powerful than the human brain, at which point we would migrate our consciousness to the new technology. Another example is the Ghost in the Shell series, in which many people have used technology to enhance their bodies and their brains. The concept opens up lots of questions (at least for me), and I have to wonder how long it will take before something like the SCRATCH cult in this episode actually comes up, marrying the spiritual with the technological. If I upload the contents of my brain to the internet (or some computer system complex enough to handle it), what would the experience be like?