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It's because he's been using his ki to make the machines run -- because they're not really machines. What's even more interesting is the cases where a character manages to raise their ki and when they do so it directly causes changes of some kind before our eyes. In Vandread it's all about the Paksis; what they're doing is to somehow link to the Paksis, which uses its mysterious powers to create what is needed. It isn't necessarily a conscious need, of course. Hibiki does this more than anyone, and Meia/Dita/Jura do it to some extent, but Bart also does it once, in episode 16. (That is, the third episode of the second series.) Bart attains a sufficiently high emotional state that he is able to reach the Paksis, and as a result the Nirvana is changed to create banks of missile launchers. Bart didn't do that deliberately. But in the emotional state he was in at the time he didn't question it. He was able to fully control them immediately. They did exactly what he expected them to do and needed them to do, even to where they struck only enemies and dodged around friends. In essence, the entire series could be seen as a struggle between the red and blue Paksis, and the way the blue Paksis draws on the power of it's crew leads to a lot of interesting character dynamics. As with the first series, there are several interesting character arcs here. One is the aformentioned arc with Bart, who becomes attached to sick little girl and is thus able to achieve an emotional state that allows him to interface with the Paksis (in order to protect the girl). It's a fantastic episode, and it features a great reveal at the end: Bart's new haircut Bart's new haircut Hibiki continues to grow, as does his relationship with Dita, and it turns out that Hibiki plays a surprisingly important role in unifying the opposition to Earth's harvester fleet. Oh, and speaking of surprises, there's a big one towards the end. Some hints were dropped, but I doubt anyone saw it coming (indeed, at first, I was really confused by what happened). All in all, the story progressed well and most of the unanswered questions were resolved. We get more background on Earth, we get more detail on why Tarak and Mejale are segregated by sex (though I'm still not totally clear on that one), and of course we find out a lot more about many of the characters. There were some nitpicks and open questions, but nothing major. For instance, what was the deal with Gascogne's return? I was happy to see her come back and all, but a little baffled as to how she managed to do so... it seemed extraneous and unnecessary to me. Also, the battles with Earth's forces got a little repetitive, but you'd expect that in a series where our heroes engage the enemy in every episode. However, as I noted in my review of the first series, nitpicks don't seem to bother me with this series. In the end, it's a solid series, and pretty much exactly what I was looking for. By the end, I was sad to see the characters go, but pleased that there was some sort of closure to the story that made sense. Thanks again to Steven for the recommendation. As usual, more screens and below the fold... This one should make Pete happy, as I've grown to really like the character of Barnette. In the first series, she was mostly relegated to being Jura's man-hating sidekick, but in Second Stage, she gets a lot more to do (I still don't like Jura though). She seems to have an affinity for "antique" projectile weapons, which comes in handy, and she gets a little more depth later in the series when she takes over the behind-the-scenes operations in Gascogne's absence... Barnette